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Latest news:

October 1:
Jeff's newest CD, New Dawn, has been released on the Albany label. Look for a review in the Jan./Feb. issue of Fanfare magazine!

November:
Looking forward to concerts in Ohio and Kentucky with soprano Dana Vachharajani, sponsored and organized by the Piatigorsky Foundation.

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Recordings!

 

New Dawn CD coverNew Dawn: Song Cycles and Piano Music of Carson Cooman (Amanda Forsythe, soprano, and Jeffrey Grossman, piano) - Albany Records - 1 Oct. 2008


See this album on the iTunes Music Store, Amazon, ArkivMusic, or Albany Records.





Leland Smith CD coverLeland Smith: Piano and Chamber Music (Sarah Darling, viola and violin, and Jeffrey Grossman, piano) - Naxos Records - scheduled Dec. 2008









Keith Barnard: Nocturne / The Ascended Healing Rays of the Cosmic Light / The Palace of Hsi Wang Mu (Jeffrey Grossman, piano) - unknown label - Winter/Spring 2009

There and Back CD cover There and Back (October 2006)
Jeffrey Grossman, piano
Click here to purchase.

The first in a set of discs that seeks to explorer connections among diverse styles of keyboard music from all eras and on numerous modern and historical keyboard instruments. This CD includes music by fourteen composers from four continents and four centuries—music ranging from Joseph Haydn to a jazz spiritual arranged by Joe Utterback!

Reunion CD coverReunion / Retrouvailles (March 2007)
Jeffrey Grossman, piano
Click here to purchase.

An eclectic mix of composers from Elliott Carter to W. A. Mozart to Charles Wuorinen. The disc features several premiere recordings. Unlike most solo CDs, the disc does not attempt to present a common group of works of a single composer or period, but instead mixes all types of pieces together in what can be thought of as a meeting ("reunion") of composers who could never have actually mingled together. The word retrouvailles refers to a particular type of reunion, that intense reawakening of feelings (platonic or otherwise) that comes when you are with someone again. (Thanks to renowned coach Mary Dibbern for her thoughts on this.) Apart from referring to the title of Elliott Carter's piano work on the disc, Jeff finds this word particularly evocative of the disc's idealogy.